MENTAL
 Main Menu
 Prologue


MENTAL. Prologue
 PROLOGUE

"To reach the truth it is necessary, once in a lifetime, to detach ourselves from all received ideas and rebuild anew, and from the foundations, our whole system of knowledge" (Descartes).

"Manage problems; accept nothing as an article of faith, look for clear and distinct ideas, trust in yourself" (Descartes).



Origin

This work is a divulgation, extension and generalization of the Doctoral Thesis "MENTAL, un Lenguaje Generico de Especificacion de Paradigma Semantico" ("MENTAL, a Generic Semantic Paradigm Specification Language"), presented on May 8, 2003 at the Facultad de Informática of the Universidad Politécnica de Madrid.

But the story begins much earlier and had several phases: In short, MENTAL is the result of an evolution, based initially on some very simple concepts that have led me, like Ariadne's thread, to a transcendental discovery, to the Minotaur, to the power that resides in the depths.

MENTAL is, indeed, a language. But it is not just another language. It is a mother language, a universal language that has no formal or syntactic (superficial) grammar, since its grammar is semantic (deep) and, therefore, inexpressible. From this language all possible particular languages arise.

The original thesis has been improved, while maintaining its spirit and philosophy, in several aspects:
Motivation

Several factors have been involved in the conception of MENTAL:
  1. First of all, my training as a theoretical physicist. Physics seeks conceptual unification through a minimum set of laws to explain the diversity of natural phenomena. In this sense, physics is the most universal of the natural sciences. I have been particularly inspired by the so-called "new physics", i.e. the conceptual challenges of quantum mechanics and relativity theory. A key aspect is that of dimension present in the string theory of quantum physics and in the theory of relativity, for when dimensions are considered, physical laws are simplified. Similarly, the "dimensions" of MENTAL make mental laws simple.

    MENTAL has been conceived in the search for the maximum possible conceptual simplicity. I am convinced that "what is not simple is ill-conceived" and that behind the apparently complex lies an essence that is necessarily simple. I fully identify with Gregory Chaitin when he states: "I am not interested in complicated ideas. I am only interested in fundamental ideas". And I add: these fundamental ideas must necessarily be simple.

  2. Secondly, my professional experience as a computer scientist. For many years I have suffered the drawbacks and limitations of programming languages: their diversity, their complexity and their semantic gap, that is, the existing gap between the human way of thinking and the language of machines. This has motivated me in the search for a simple, humanistic and universal language.

  3. Thirdly, my interest in the subject of consciousness, especially the role played by the two cerebral hemispheres, in order to achieve a unified consciousness, where the particular (left hemisphere) is based on the general or universal (right hemisphere). In this sense, it is linked to universalist paradigms such as the holographic and fractal paradigms, considered the paradigms of the "new era". And this new era needs a universal language and a universal paradigm.

Structure of the work Each chapter may include: This work has a didactic character. The first to learn was the author himself. In writing there is an extraordinary feedback process that clarifies knowledge and produces an elevation of consciousness. Some quotations:

"There is no better way to learn about anything than to write a book about it" (Martin Gardner).

"When I am interested in knowing something I don't know, I decide to write a book about it" (José Antonio Marina).

"Writing is the deepest way to know life" (Francisco Umbral).

From the didactic point of view, the work has a modular and highly structured content, including this Prologue. In addition to the usual hierarchical structure for the different sections, the contents of the sections frequently make use of lists (numbered or not, depending on the case) to indicate properties, attributes, aspects or characteristics. All this is done in order to present the concepts as simply and clearly as possible, and to facilitate their reading and understanding.

Compared to the literary or linear style, the structured style has great advantages:
Mandalas

Each chapter of the work includes a mandala in its header, which has a function that goes beyond mere aesthetics. Additionally, images have been included that evoke universality, totality and consciousness as a union of opposites or duals, especially fractals and symbols.

A mandala is a figure of circular symmetry that symbolizes or represents the universe, the totality and the internal and external unity, where the center stands out, symbolizing the source (unmanifest) of all that exists (manifest). Mandalas are a way to connect with the universal, with the totality and thus approach the consciousness of the essential unity of all things. Mandalas activate, when contemplated, the right side of the brain, elevate consciousness, connect us with the depths of our being, with the unity, the totality, the timeless, where there are no borders. Mandalas are really doors to higher states of consciousness.

The mandalas in the work are made using elementary and universal symbols (circle, square, star-shaped polygon, etc.). Many mandalas have a fractal structure. A fractal is a figure in which a graphic pattern is repeated recursively at each level. Symbolic and fractal mandalas have even more strength, as they connect with the inner and the outer, as mind and nature have fractal structure.

All the mandalas in the work are made with the same program, a program that is simple and parameterized, where each parameter represents a dimension or degree of freedom. Each mandala corresponds to specific values of the parameters. Given the infinity of shapes that can be generated, the program is a perfect metaphor for MENTAL, that is, the combination of a few simple basic patterns (geometric archetypes) produces a great diversity and complexity of shapes. Moreover, MENTAL is a fractal language.

The process of generating mandalas is the search for beauty, order, harmony, attunement to wholeness and unity. It is a search for consciousness through geometry, which is the science that unites mind and nature. The mandala generation program can be considered as an authentic tool of consciousness.

In addition, mandalas introduce a factor of balance between text (analytical) and image (synthetic), that is, the two modes of consciousness converge. And mandalas serve to permanently remind us that MENTAL is a universal language, of totality, of consciousness, of the profound.


Prerequisites

A general background in mathematics and a basic knowledge of the world of computers, especially what a programming language means, is sufficient to understand the content of the book.


Access to content

The work has perhaps turned out to be excessively extensive, almost an encyclopedia. It is paradoxical that a simple language such as MENTAL, which can be described in a few pages, needs such a large development. This is justified by the great diversity of applications included to verify the universality of the language, and its enormous philosophical and psychological repercussions. The work combines the characteristics of book and encyclopedia, textbook and essay, as well as technical and philosophical work.

The reading of the work need not necessarily be sequential or complete.
Acknowledgments